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摘 要

余华是我国先锋小说的代表作家之一，同时也是中国当代先锋作家中成就最突出的一位。他的小说打破了传统小说在表现形式、语言表达以及叙事方法等方面的限制，以独特的语言风格给读者带来焕然一新的视觉感受。近年来，文学界对余华作品的研究成为中国文学界的一大热潮，越来越多的研究者们对余华小说创作的各个方面进行了研究，并取得了丰硕的成果。本文主要从余华小说的文本出发，选取了余华小说中语言的音乐性表现、余华小说叙述语言的陌生化及余华小说的情感色调这三个不同的角度，对其小说的语言特色进行研究。

关键词：余华，小说，音乐性，陌生化，情感色调

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ABSTRACT

Yu Hua is one of the most representative writers in the pioneer novel field of our country, but also the most prominent one among them. His novels break the limits in forms, language expressing and narrative methods of traditonal novel, bringing readers a brand new visional sense by his unique language style. In recent years, the research towards Yu Hua's works has become a trend in Chinese literary field. More and more researchers have been studying every aspect in his literary working,and the results have turned out to be remarkable.Starting from the text of Yu Hua's novels,this paper selects three different angles,which are musical performance of language, strange narrative statements and the emotional tongue,to study its language characteristics.

Keywords: Yu hua，Novel，Musical，Strange ，Emotional tongue

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目 录

摘 要 .................................................................................................................... I ABSTRACT ......................................................................................................... II 前言 .................................................................................................................. - 4 - 一 余华小说中语言的音乐性表现 ................................................................ - 5 -

（一）描写性的词语重复 ............................................................................................ - 5 - （二）话语性的语句重复 ............................................................................................ - 6 - （三）小说累加性的语段重复 .................................................................................... - 8 -

二 余华小说叙述语言的陌生化 .................................................................... - 8 -

（一） 词语的陌生化运用——创新性搭配 .............................................................. - 9 - （二）语句结构的陌生化运用——“非主流搭配” .............................................. - 10 -

1 动宾结构的“非主流搭配” ........................................................................... - 10 - 2 余华小说偏正结构的“非主流搭配” ........................................................... - 11 -

三 余华小说的情感色调 ............................................................................... - 11 -

（一） 暖色调：幽默与反讽 .................................................................................... - 12 -

（二） 冷色调：冷漠与暴力 .................................................................................... - 13 -

结 论 ............................................................................................................ - 14 - 参考文献 ........................................................................................................ - 15 - 致 谢 ................................................................................. 错误！未定义书签。

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