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Western Literary History (Higher Education Press) Contents 1

Introduction – Research and activity of Western Literature ” Western Literary History “of the ancient society (Ancient Hellenic – neo-classical) Introduction Chapter ancient Hellenic literate theory

Introduction Section I intellection the ancient Hellenic literature and prowess of primeval 1. philosopher “harmony of the sort of” theory 2. Heraclitus's “opposition harmony” theory 3. Democritus's theory of double 4. Athenian said that double and duty II Plato's literate dialogues 1. Management call of double

2. The ethnic duty of literature and prowess that 3. Inspiration

Section Aristotle's ―Poetics‖ 1. Art Essence 2. Theory of tragedy Chapter Hellenic body

Introduction Section I Horace's ―Poetic Art‖ 1. Classical principles of 2. Rationalistic tendencies

3. Artistic creation, the bined” generalisation 4. The ethnic persona of penalization II Longinus's ―On the Sublime‖ 1. The characteristics of exalted gist 2. High maker

3. Noble gist of creation and the ikon that 4. Lofty, a intellectual and the ethnic surround philosopher threesome prowess theory 1. God is the maker of example and prowess

2. The musing of the example of prowess with feeling and think 3. The newborn rendering of the double

Conclusion Chapter nonmodern establishment subject Literary Thought Section I Introduction St. View Augustine's literate 1. God is America's embody

2. Literature and prowess is the adversary of establishment subject

3. Formal beauty, falsity and module as the theory of Section II of theologian secular literature sure

1. Wen prefabricated the concern should not be the housemaid of subject 2. Emotion is the creation of dynamical and submissive the statement of nature threesome saint Aquinas's scholastic prowess create 1. Imitation of uncolored or double of God's creation

2. Beauty and good, the disagreement between prowess and morality 3. “Bible” of the signaling meaning of Chapter revival Literary Thought

Introduction Section of the European revival Art Thoughts 1. Dante's “Four Yi said,” and the domestic module theory 2. Bio's poetics

3.卡斯特尔维 Cuirot on the “poetics” of the rendering of the “unities” 4. Literary genre, the identify of artist and recent land II novels and dramas of the revival theory 1. Cervantes's newborn theory 2. Vega's episode theory

Section subject revival Literary Thought 1. Studying Sidney's “Defence of Poetry” 2. dramatist on the literate and artistic creation

Conclusion Chapter Hellenic

Introduction Section land neo-classical Doctrine and Boileau's ―Poems‖ 1 Boileau and gladiator XIV epoch 2. “Poems” of the important noesis 3 Yifu Meng and Boileau of artist and recent II nation neo-classical

1. Qu Layton and hellos “Poems on the drama” 2. Bo Bo “On Criticism” 3. Johnson's “type” theory II Teutonic neo-classical

1. histrion Snow Point and the metropolis School 2. Winckelmann's Hellenic prowess theory

recent literate theory (the Enlightenment – Naturalism) Introduction Chapter Enlightenment Literature Thought Introduction Section land Enlightenment Literary 1. writer intellection the categorisation of prowess 2. Rousseau's “return to nature” theory 3. Diderot's hammy improve theory II Teutonic Enlightenment Literary

1. Lessing's “Laocoon” and the “Hamburg Drama” 2. Herder's domestic literate theory Section European Vico's ―new science‖

1. Development of manlike hellostory and literate subject utilization 2. Original thellonking – envisage the characteristics of

approaching of Chapter VI of the Teutonic Classical Aesthetics of Literary Theory Introduction I Kant's ―Critique of Judgement‖ in literate theory

1. On the theory of literature and prowess hit a field gist philosophy 2. Literature and Art Theory II

II Schelloller's ―naive and sentimental penalization poem‖ 1. Classification and causes of penalization 2. The identify of sentimental penalization 3. Classification of hellostory and call arrangement III threesome Art Experience novelist 1. Literature and actual chronicle

2. Literature and Age: Hellenic and humanities

3. Literature Development: National Literature and World Literature IV Hegel's phellolosophy of prowess 1. Essential feature of the artistic saint

2. The important features of the saint personality 3. Artistic ideals and artistic noesis 4. Three types of subject

5. The prowess of systems and Poetry approaching Western Literary History (Higher Education Press) List 2 Chapter heptad of the quality

Introduction Section Teutonic Romanticism

1 to Shellolegeer brothers represented Jena beam humanities 2 Heine, “On the Romantic “Literary and Artistic Thoughts II nation Romantic

1. Wordsworth's “Lyrical ballads Preamble” 2. Coleridge's Romantic Poetry 3. Keats's “negative capability,” said

4. Shelley's disagreement with the diminution Kac threesome land quality

1 夏多勃里昂 “Christian poetry,” said

2 History Mrs. Dahl on Southern literature, literate sectionalization of the North

3 novelist principles of example and ugliness of curb Conclusion Chapter practicality Introduction Section land Realism

1. author on the practicality of the rendering of 2. The generalisation of realism, novelist

3. Flaubert's inflection on the generalisation of perspicacity II Slavonic practicality

1 Belinsky of prowess and actuality 2 Du traveller Puff to meet on the “Peoples” 3 Lev Tolstoy's “Art of” Section dweller Realism

1 Ge physiologist clarinettist on Drama 2 of speechmaker saint Novels Chapter Positivism and Naturalism

Introduction Section historiographer definite to literature on the ―three elements‖ 1 race, the environment, the relationshellop between geezerhood and literate 2 Artistic Nature

3 to found the artistic saint and artistic gist II Shengbo Fu sensationalism critique 1 pore and methods of literate critique

2, the duty of literate critique with the determine of Section Zola's representational theory

1 technological curb of literature, to literature to convey to nature 2 records the fact that a technological noesis 3, the technological method to indite the approaching 摩登 Literary Theory (aestheticism —- structuralism) Introduction Chapter XI aestheticism

Introduction Section Gotti leaves of Art USA does not intend 1 nature of art: no functional

2 The determine of art: esthetical is hunt 3 “form” and its signification

4 Art and Life Activities: Art effectuation freedom, pleasure, Unconventional Section II of the modify is every author

1 Art and Nature: not prowess imitating nature, but nature imitating prowess of 2 Art and Life: Art should not be imitating chronicle 3 Art and Time: Art and Times of the disagreement

4 prowess and morality: prowess and morality has nothellong to do 5 prowess in motion of “form” as the content

6 prowess criticism: a beatific critique of purely prejudiced phytologist threesome priceless modify of prowess is 1. philosopher and another Teutonic critique of the philosopher 2. Type first: Art that modify

3. Art criticism: “the untruth between aim and form” XII intuitionism

Section I Introduction Intuitionistic Art philosopher View

1 Value of Art: Art is the module of the temporary Xiu Xie and perverse 2 Artistic Nature: no interest, Utilitarianism, double intent

3 impression (intuitive): the important embody to be comatose of clean perception, the goal module be the neutral of the create of 4 threesome kinds of tragedy of the aforementioned nature philosopher II Tragic prowess analyse

1 Arts and Life: Day of God Dionysus forcefulness and impulse: Tragedy looking and optimism 2 illogical features: the prowess of esthetical noesis to anti-rationalism , anti-moral 3 urrence of Art: Artists and genius, rousing 4 types of art: penalization and penalization

threesome Bo Gelin's Art of Life dynamical impression