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Chapter ５ The Modern Period

Ⅰ学习目的和要求

通过本章的学习，了解20世纪批判现实主义文学和现代主义文学产生的历史、文化背景。认识该时期文学创作的基本特征、基本主张，及其对现当代英国文学乃至文化的影响；了解该时期重要作家的文学创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义等；同时结合注释，读懂所选作品，了解其思想内容和写作特色，培养理解和欣赏文学作品的能力。 Ⅱ本章重点及难点

1． 英国现代文学的特征

2． 主要作家的创作思想、艺术特色及其代表作品的主题结构、人物刻画和语言风格

3． 名词解释：现代主义

4． 应用：选读作品的主题结构、艺术特色、人物刻画和语言风格，如 （1）叶芝和艾略特诗歌（所选作品）的主题、意象分析 （2）小说《儿子与情人》的主题和主要人物的性格分析 （3）意识流小说的主要特色分析 （4）萧伯纳戏剧的特点与社会意义分析 Ⅲ.考核知识点和考核要求 （一）现代时期概述 1．识记：

A. 20世纪英国社会的政治、经济、文化背景 B．英国20世纪批判现实主义文学 C．现代主义文学的兴起与衰落 2．领会：

A. 现代主义文学创作的基本主张 B．英国现代主义文学思潮 （1）诗歌 （2）小说 （3）戏剧

3．应用：

A．名词解释：现代主义

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B．英国现代主义文学的特点 C．现代主义文学对当代文学的影响 （二）现代时期的主要作家 A.萧伯纳

1．一般：萧伯纳的生平与文学生涯。

2. A．萧伯纳的政治改革思想和文学创作主张 B．萧伯纳的戏剧创作 （1）早期主要作品：

《鳏夫的房产》、《华伦夫人的职业》、《康蒂坦》、《凯撒和克莉奥佩特拉》 （2）中期作品：《人与超人》、《巴巴拉少校》、《皮格马利翁》

（3）晚期作品：《伤心之家》、《回到麦修色拉》、《圣女贞德》、《苹果车》 3. A．萧伯纳戏剧的特点与社会意义B．萧伯纳的戏剧对20世纪英国文学的影响 4．A．《华伦夫人的职业》的故事梗概、情节结构、人物塑造、语言风格、思想意义 B．选读：所选作品的主要内容、人物塑造、语言特点、艺术手法等 B．约翰·高尔斯华绥 1．高尔斯华绥的生平与文学生涯 2．高尔斯华绥的文学创作 （1）戏剧：《银盒》、《正义》、《斗争》

（2）小说：《福赛特世家》（《有产业的人》、《骑虎》、《出租》）、《现代喜剧》 3. A．高尔斯华绥的创作思想

B．高尔斯华绥批判现实主义小说的主要特点及社会意义 4．选读：所选作品的主要内容、人物性格。语言特点、叙述手法等 C、威廉·勃特勒·叶芝 1．叶芝的生平及文学生涯 2．叶芝诗歌的代表作品 （1）早期诗歌：《茵尼斯弗利岛》、《梦见仙境的人》、《玫瑰》 （2）中期诗歌：《新的纪元》、《1916年的复活节》

（3）晚期诗歌：《驶向拜占廷》、《丽达及天鹅》、《在学童们中间》

3．A．叶芝的诗歌创作思想 B．叶芝诗歌的特点及思想意义C．叶芝诗歌的艺术成就 D．叶芝的诗歌对当代英国文学的影响 E．叶芝的戏剧创作 4．所选作品的主题思想、语言风格、艺术特色等 D、T．S．艾略特

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1．艾略特的生平及创作生涯 2．艾略特的主要诗歌作品

（1）《普鲁弗洛克的情歌》（2）《荒原》（3）《灰星期三》（4）《四个四重奏》 3．A．艾略特的文学理论与文艺批评观 B．艾略特诗歌的艺术特色及社会意义 C．艾略特的戏剧 D. 文略特的艺术成就

E．艾略特的文学创作及文艺批评思想对现当代英国文学的影响 4． A．《荒原》主题、结构、神话、象征、语言特色及社会意义

B．选读：所选作品的主题结构、思想内容、语言特点、艺术手法等 E．戴维·赫伯特·劳伦斯 1．劳伦斯的生平及文学生涯 2．劳伦斯的主要小说

（1）《儿子与情人》（2）《虹》（3）《恋爱中的女人》 3． A． 劳伦斯的创作思想

B． 劳伦斯小说的主要艺术特色及社会意义 C． 劳伦斯的小说对现当代英国文学的影响

4． A．《儿子与情人》的故事梗概、情节结构、人物塑造、语言风格、思想意义 B．选读：所选作品的主要内容、人物性格、语言特点、艺术手法等 F．詹姆斯·乔伊斯

1．乔伊斯的生平与创作生涯 2．乔伊斯的主要作品简介 （1）《都柏林人》（2）《青年艺术家的肖像》（3）《尤利西斯》

3．A． 乔伊斯的文学创作主张与美学思想B． 乔伊斯小说的主要艺术特色及思想意义 C．乔伊斯的艺术成就 D．乔伊斯的作品对现当代世界文学的影响 4．A． 意识流小说的主要特色分析B． 选读：所选作品的主题思想、人物塑造、语言特色、艺术手法等

1. The social, ideological background of the modern English literature: (1) The influences of the two World Wars on English literature:

Modernism rose out of skepticism and disillusion of capitalism. The First World War and the Second World War had greatly influenced the English literature. The catastrophic First World War tremendously weakened the British Empire and brought about great sufferings to its people as well. Its appalling shock severely destroyed people's faith in the Victorian values; The postwar economic dislocation and spiritual

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disillusion produced a profound impact upon the British people, who came to see the prevalent wretchedness in capitalism.

The Second World War marked the last stage of the disintegration of the British Empire. Britain suffered heavy losses in the war: thousands of people were killed; the economy was ruined; and almost all its former colonies were lost. People were in economic, cultural, and belief crises.

(2) Ideologically, the rise of the irrational philosophy and new science greatly incited modern writers to make new explorations on human natures and human relationships. (a) In the mid-19th century, Karl Marx and Friedrich Engels put forward the theory of scientific socialism, which not only provided a guiding principle for the working people, but also inspired them to make dauntless fights for their own emancipation. (b) Darwin's theory of evolution exerted a strong influence upon the people, causing many to lose their religious faith. The social Darwinism, under the cover of \of the fittest,\vehemently advocated colonialism or jingoism. (c) Einstein's theory of relativity provided entirely new ideas for the concepts of time and space. (d) Freud's analytical psychology drastically altered our conception of human nature. (e) Arthur Schopenhauer, a pessimistic philosopher started a rebellion against rationalism, stressing the importance of will and intuition. (f) Having inherited the basic principles from Schopenhauer, Friedrich Nietzsche went further against rationalism by advocating the doctrines of power and superman and by completely rejecting the Christian morality. (g) Based on the major ideas of his predecessors, Henry Bergson established his irrational philosophy which put the emphasis on creation, intuition, irrationality and unconsciousness. All these irrationalist philosoph- ers exerted immense influence upon the major modernist writers in Britain. So, after the First World War, all kinds of literary trends of modernism appeared: symbolism, expressionism, surrealism, cubism, futurism, Dadaism, imagism and stream of consciousness. Towards the 1920s, these trends converged into a mighty torrent of modernist movement, which swept across the whole Europe and America. After the Second World War, a variety of modernism, or post-modernism, like existentialist literature, theater of the absurd, new novels and black humor, rose with

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the spur of the existentialist idea that \was absurd, and the human life was an agony.\

2. The development of English poetry in the 20th century:

The 20th century has witnessed a great achievement in English poetry. In the early years of this century, Thomas Hardy and the war poets of the younger generation were important realistic poets. Hardy expressed his strong sympathies for the suffering poor and his bitter disgusts at the social evils in his poetry as in his novels. The soldiers-poets of World War I revealed the appalling brutality of the war in a most realistic way. The early poems of Pound and Eliot and Yeats's matured poetry marked the rise of \poetry,\which was, in some sense, a revolution against the conventional ideas and forms of the Victorian poetry. The modernist poets fought against the romantic fuzziness and self-indulged emotionalism, advocating new ideas in poetry writing such as to use the language of common speech, to create new rhythms as the expression of a new mood, to allow absolute freedom in choosing subjects, and to use hard, clear and precise images in poems.

The 1930s witnessed great economic depressions, mass unemployment, and the rise of the Nazis. Facing such a severe situation, most of the young intellects started to turn to the left. And therefore the period was known as \group of young poets during this period expressed in their poetry a radical political enthusiasm and a strong protest against fascism. With the coming of the 1950s, there was a return of realistic poetry again. By advocating reason, moral discipline, and traditional forms, a new generation of poets started \Movement,\which explicitly rejected the modernist influence. There was no significant poetic movement in the 1960s. A multiplicity of choices opened to both the poet and the reader. Poets gradually moved into more individual styles.

3. Realism in the 20th century English literature:

The realistic novels in the early 20th century were the continuation of the Victorian tradition, yet its exposing and criticizing power against capitalist evils had been somewhat weakened both in width and depth. The outstanding realistic novelists of this period were John Galsworthy, H. G. Wells, and Arnold Eennett. The three

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