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1. ? Romantic period 9. ? Sherwood Anderson 2. ? Washington Irving 10. ? Stephen Crane 3. ? Edgar Allan Poe 11. ? Theodore Dreiser 4. ? Nathanial Hawthorne 12. ?III. Modern period 5. ? Walt Whitman 13. ? F. S. Fitzgerald 6. ? Emily Dickinson 14. ? Ernest Hemingway 7. ?II. Realist period 15. ? William Faulkner 8. ? Mark Twain 1.Transcendentalism

Transcendentalism refers to the religious and philosophical doctrines of Ralph Waldo Emerson and others in New England in the middle 1800’s, which emphasized the importance of individual inspiration and intuition, the Oversoul, and Nature. Other concepts that accompanied Transcendentalism include the idea that nature is ennobling and the idea that the individual is divine and, therefore, self-reliant. New England Transcendentalism is the product of a combination of native American Puritanism and European Romanticism. 2.Naturalism

Naturalism, a more deliberate kind of realism, usually involves a view of human beings as passive victims of natural forces and social environment. As a literary movement, naturalism was initiated in France and it came to be led by Zola, who claimed at “scientific” status for his studies of impoverished characters miserably subjected to hunger, sexual obsession, and hereditary defects. Natural fiction aspired to a sociological objectivity, offering detailed and fully researched investigations into unexplored corners of modern society. The most significant work of naturalism in English being Dreiser’s Sister Carrie. 3.American Dream

The American Dream is the faith held by many people in the United States of America that through hard work, courage and determination one can achieve a better life for oneself, usually through financial prosperity. These were values held by many early European settlers, and have been passed on to subsequent generations. 4.The Lost Generation

The term Lost Generation was coined by Gertrude Stein to refer to a group of American Literary notables who lived in Paris from the time period which saw the end of World War I to the beginning of the Great Depression. Significant members included Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, Sherwood Anderson, T. S. Eliot, and Gertrude Stein herself. Hemingway likely popularized the term, quoting Stein (“You are all a lost generation”) as epigraph to his novel The Sun Also Rises. More generally, the term is being used for the young adults of Europe and America during World War I. They were “lost” because after the war many of them were disillusioned with the world in general and unwilling to more into a settled life 5. Modernism

Modern writing is marked by a strong and conscious break with traditional forms and techniques of expression; it believes that we create the world in the act of perceiving it. Modernism implies historical discontinuity, a sense of alienation, of loss,

and of despair. It elevates the individual and his inner being over social man and prefers the unconscious to the self-conscious. 6. Romanticism .

7. Puritanism

The principles and practices of puritans were popularly known as Puritanism. Puritanism accepted the doctrines of Calvinism: the sovereignty of God; the supreme authority of the Bible; the irresistibility of God’s will for man in every act of life from cradle to grave. These doctrines led the Puritans to examine their souls to find whether they were of the elect and to search the Bible to determine God’s will. 8. Hemingway Heroes / Code Hero

“Hemingway Heroes” refer to some protagonists in Hemingway’s works. Such a hero usually is an average man of decidedly masculine tastes, sensitive and intelligent. And usually he is a man of action and of a few words. He is such an individualist, alone even when with other people, somewhat an outsider, keeping emotions under control, stoic and self-disciplined in a dreadful place where one can not get happiness. The Hemingway heroes stand for a whole generation. In a world which is essentially chaotic and meaningless, a Hemingway hero fights a solitary struggle against a force he does not even understand. The awareness that it must end in defeat, no matter how hard he strives, engenders a sense of despair. But Hemingway heroes possess a kind of “despairing courage” as Bertrand Russell terms. It is this courage that enables a man to behave like a man, to assert his dignity in face of adversity. Surely Hemingway heroes differ, one from another, in their view of the world. The difference which comes gradually in view is an index to the subtle change which Hemingway’s outlook had undergone.

Expressionism

Expressionism refers to a movement in Germany early in the 20th century, in which a number of painters sought to avoid the representation of external reality and, instead, to project a highly personal or subjective vision of the world. The main principle involved is that expression determines form, and therefore imagery, punctuation, syntax, and so forth. In brief, any of the formal rules and elements of writing can be bent or disjointed to suit the purpose. Theatrically, expressionism was a reaction against realism in that it tends to show inner psychological realities. O’Neill’s plays are some of the best examples.

The Imagist Movement (Imagism)

Led by Ezra Pound and flourished from 1909 to 1917, the movement advanced modernism in arts which concentrated on reforming the medium of poetry as opposed to Romanticism, especially Tennyson' s wordiness and high-flown language in poetry. The three principles followed by the Imagists were:

(1) \ symbolism

Symbolism originates in France in the middle 19th century. The poetry collection The Flowers of Evil by the French poet Charles Baudelaire is a representative work of this genre. Symbolism tries to express the dreamy mysterious inner world of the writer.

Stream-of-consciousness

Stream-of-consciousness begins in the 1920’s in Britain. It is a psychological term indicating “the flux of conscious and subconscious thoughts and impressions moving in the mind at any given time independently of the person’s will”. In late 19th century, the literary device of “interior monologue” was originated in France as an application of modern psychological knowledge to literary creation. In the 20th century, under the influence of Freud’s theory of psychological analysis, a number of writers adopted the “stream of consciousness” method of novel writing. The striking feature of these novelists is their giving precedence to the depiction of the characters’ mental and emotional reactions to external events, rather than the events themselves. (to be continued) Free verse:

a form of poetry without rhyme, meter, regular line length, and regular stanzaic structure. It depends on natural speech for rhythm. Robert Frost compared it to “playing tennis with the net down.” Though much simpler and less restrictive than conventional poetry and blank verse, free verse does no mean “formlessness.” T. S. Eliot once said that “no verse is free for the man who wants to do a good job.” Though its origin is unknown, it was attempted by such early poets as Surrey, Milton, Blake, and Macpherson. It was Whitman who did the greatest contribution to the development and popularity of free verse. Whitman favored the simplicity and freedom of expression. According to him, “The art of art, the glory of expression and the sunshine of light of letters is simplicity. Noting is better than simplicity.” Jazz age:

Jazz is a form of dance music that is derived from early Afro-American folk music, ragtime, and Negro blues. It is marked with exciting rhythm, pronounced syncopation, and constant improvisation. The musical instruments used are mainly drums, trumpets, and saxophones. Major composers of Jazz music include Irvin Berlin and W. C. Handy. The term Jazz Age was specifically employed by Fitzgerald to denote the 1920s, which was characterized by the loss of traditional moral standards, indulgence in romantic yearnings, and great social excitement. According to Malcolm Cowley, the Jazz Age was “a legend of glitter, of recklessness, and of talent in such profusion that it was sown broadcast like wild oats.” F. Scott Fitzgerald’s Tales of the Jazz Age, like Mark Twain’s The Gilded Age, was an epoch-making work.