寰
锛?/p>
1
銆?/p>
Science
fiction
remains
an
alien
dimension
of
the
history
of
science.
Historical
and
literary
studies
of
science
have
become
increasingly
attentive
to
various
鈥昹iterary
technologies鈥?nbsp;
in
scientific
practice,
the
metaphorical
features
of
scientific
discourse,
and
the
impact
of
popular
science
writing
on
the
social
development
of
scientific
knowledge.
But
the
function
of
science
fiction
and
even
literature
as
such
in
the
history
of
scientific
and
technological
innovation
has
often
been
obscured,
misconstrued,
or
repudiated
owing
to
conventional
notions
of
authorship, influence, and the organic unity of texts. The better to address those close
encounters
where
scientific
practice
makes
use
of
speculative
fiction,
this
essay
proposes
that
we
instead
analyze
such
exchanges
as
processes
of
appropriation,
remixing, and modification..
绉戝够灏忚鍦ㄧ瀛﹀彶涓婁粛鐒朵繚鎸佺潃涓�涓澶栨槦浜鸿埇鐨勭绉橀潰鐩�傜瀛︾殑鍘嗗彶鍜?/p>
鏂囧鐮旂┒宸茬粡瓒婃潵瓒婂鍦扮粏鍖栧埌鍚勭鍚勬牱鐨勭爺绌跺綋涓�斺�旂瀛﹀疄璺典腑鐨勬枃瀛︽妧
鏈爺绌讹紝
绉戝璇濊鐨勯殣鍠绘�х壒寰佺殑鐮旂┒锛?/p>
鐑棬鐨勭鏅啓浣滃绀句細鍙戝睍鐨勫奖鍝嶇殑鐮?/p>
绌躲�備絾鏄紝鐢变簬鍙楀師鍒涗綔鑰呯殑浼犵粺瑙傚康锛屼綔鍝佺殑褰卞搷鍔涳紝浠ュ強鍘熸枃鐨勬湁鏈虹粺涓�杩?/p>
涓夋柟闈㈢殑褰卞搷锛?/p>
浣垮緱绉戝够灏忚锛?/p>
鐢氳嚦鏄濡傛绫荤殑鏂囧锛?/p>
鍦ㄧ瀛﹀彶涓婂拰绉戞妧鍒涙柊
涓婄殑浣滅敤缁忓父鎬у湴琚帺鐩栵紝琚洸瑙ｏ紝琚壒鍒ゃ�傝繖绡囨枃绔犵粰鎴戜滑鐨勫缓璁槸锛屼笉瑕佸幓
鍒嗘瀽锛屼氦娴佺殑杩囩▼銆佽鐐圭殑浜ゅ弶浠ュ強鎰忚鐨勪慨鏀癸紝浼氫娇寰椻�滅瀛﹀疄璺靛埄鐢ㄦ帹鐞嗗皬
璇粹�濊繖涓�瑙傜偣鏇村姞绗﹀悎甯哥悊銆?/p>
2
銆?/p>
SCIENCE
FICTION:
the
very
concept
appears
as
a
monstrous
violation
of
categories, an improper joining of radically different domains. Hugo Gernsback, the
founding
editor
of
Amazing
Stories
(the
first
magazine
exclusively
devoted
to
this
strange literary genre), coined the term in 1929, as a more marketable successor to his
earlier
neologism
鈥?/p>
scientifiction.鈥?nbsp;
Certainly,
stories
of
this
kind
had
existed
long
before Gernsback gave us the name. The roots of science fiction are at least as old as
modern
science
itself,
germinating
in
the
utopian
romances
of
the
sixteenth
and
seventeenth
centuries, with offshoots in the Gothic novels of the eighteenth century
and
onward,
eventually
flourish-ing
in
the
scientific
romances
and
voyages
extraordinaires
of
the
nineteenth
century.
But
the
sense
of
science
fiction
as
a
recognizable
genre,
a
ready-made
cultural
form,
is
largely
an
invention
of
the
last
century.
Indeed,
science
fiction
is
often
said
to
be
the
most
characteristic
literary
mode of late modernity, the defining genre of our age. 1 Yet even as.
鈥滅骞诲皬璇粹�濊繖涓蹇垫渶鍒濈殑鍑虹幇鏄瀬鍏惰崚璋拰涓嶅悎鐞嗙殑鈥斺�斿畠鏍规湰灏辨槸浣?/p>
涓轰笉鍚岄鍩熺┛鎻掍笂鏉ョ殑涓滆タ銆傛儕濂囨晠浜嬬殑濂犲熀浜哄拰缂栬緫鑰呴洦鏋?/p>
.
鏍规柉宸村厠锛屼粬棣?/p>
鍙戠殑鍞竴涓�鏈潅蹇楀氨鏄础鐚粰浜嗚繖绉嶉檶鐢熺殑鏂囧浣撹銆備粬鍦?/p>
1929
骞村垱閫犱簡鈥滅
骞诲皬璇粹�?/p>
杩欎釜鏈锛?/p>
鐢变簬杩欑鏂囧浣撹鐨勪綔鍝佹湁寰堝ぇ鐨勫競鍦烘綔鍔涳紝
鎵�浠ュ湪鏃╂湡浠?/p>
灏卞凡鎴愪负浜嗚繖绉嶆枃瀛︿綋瑁佺殑缁ф壙浜恒�傚綋鐒讹紝杩欑被鍨嬬殑鏁呬簨鏃╁湪闆ㄦ灉
.
鏍规柉宸村厠璧?/p>
浜堢粰浠栦滑涓�涓笓涓氭湳璇紙鍗崇骞诲皬璇达級鐨勬椂鍊欏氨宸插瓨鍦ㄤ簡銆傚锛岃悓鑺戒簬
16
锛?/p>
17
涓栫邯鐨勪箤鎵橀偊寮忕埍鎯咃紝鎴愪负
18
涓栫邯鍙婂湪姝や箣鍓嶇殑鍝ョ壒寮忓皬璇寸殑鍒嗘敮锛屼互鍙婃渶缁?/p>
甯︽潵鐨?/p>
19
涓栫邯鐨勭瀛︽氮婕皬璇村拰鏉板嚭鐨勮埅琛屾梾琛岀殑榧庣洓鏃舵湡绛夈�傚洜姝わ紝绉戝够灏?/p>
璇寸殑璧锋簮锛?/p>
鑷冲皯璺熺幇浠ｇ瀛︾殑璧锋簮涓�鏍凤紝
鎷ユ湁鍚屾牱闀跨殑鍘嗗彶銆?/p>
浣滀负涓�绉嶆瀬鏄撹鲸璁?/p>
鐨勭骞诲皬璇撮鏍硷紝
瀹冩槸涓�绉嶉檲鏃х殑鏂囧寲褰㈠紡锛?/p>
鏄笂涓栫邯鐨勪竴涓富瑕佸彂鏄庛�?/p>
浜嬪疄涓婏紝
绉戝够灏忚缁忓父琚涓烘槸鐜颁唬鏅氭湡鏈�鍏风壒鑹茬殑鏂囧妯″紡鈥斺�斿嵆鎴戜滑杩欎釜鏃朵唬鏈�鍏?